What AI Thinks an Emily Dickinson Poem Looks Like

I used a GAN to illustrate ‘Because I could not stop for Death’

Clive Thompson
Debugger
Published in
9 min readMar 18, 2022

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How would an AI illustrate a famous poem?

In my Linkfest earlier this week, I wrote about the new crop of AI “generative” models, in which you provide a few words and see it translated it into an image.

Often, these AIs create pictures that are fascinatingly alien. You get images composed with a strange blend of literalness and hallucination. The AIs try earnestly to depict what you described, but they filter it through an inhumanly vectorized form of machine perception that has no clue how the world actually works.

This is why I agree with what Alberto Romero argued, which is that generative AIs are powerful new tools for art, possibly on par with the impact of the camera back in the 19th century. Artists are learning how to use AI in art — a new type of paintbrush, on a new type of canvas.

It got me thinking:

Hmmm, what could I use a generative AI to do?

Well, one of my favorite genres is poetry, and one of my favorite poets is Emily Dickinson. (Above!)

Rather like a generative AI, Dickinson could be gorgeously hallucinatory and slightly alien. Her metaphors were always plugged directly into the voltage of human existence, but they’d often describe life from some oblique, bank-shot angle. “Tell all the truth,” she wrote, “but tell it slant.” She never beat around the bush. She’d begin a poem by slapping you with a starkly forceful metaphor, like “My Life had stood – a Loaded Gun”.

This made me think that Emily Dickinson + a generative AI would be a pretty cool combination.

My favorite poem of hers is “Because I could not stop for Death”. It’s profound, weird, dark, witty, and crammed with soul-piercing imagery. You can read it in full here; it’s short.

So I fed it, couplet by couplet, into the “dream” generative-AI tool, to see how it would illustrate the poem.

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Clive Thompson
Debugger

I write 2X a week on tech, science, culture — and how those collide. Writer at NYT mag/Wired; author, “Coders”. @clive@saturation.social clive@clivethompson.net